E07: Computer Controlled-Machining

This weeks assignment is about big machining and we have to make something ‘big’.

Notes from lecture + comments:

  • Center-cut tools are terrible for getting the chips out but it makes a nice surface.
  • Ball-endmills are good for curving surfaces.
  • Cut-depth down is usually ~ tool diameter
  • Step-over: ~ tool diameter/2
  • Do test cuts to make sure you are cutting properly - then do the full job
  • Cutting the boundary, then combine rough-cutting with continuous cutting
  • „climb machining“ - puts more force on the machine (because it is climbing) but makes a cleaner cut. You usually use this for softer material or finished cuts.
  • „conventional machining“ - makes the worst cut because it is grinding in the finished surface but it is better for the machine.

useful links:
http://www.woodguide.org/files/2014/07/CNCrouter_bit_basics.pdf
http://www.onsrud.com/files/pdf/LMT-Onsrud-CNC-Prod-Routing-Guide.pdf
http://woodtools.nov.ru/books/pww_ess_routers/pww_ess_routers.pdf
http://makezine.com/2014/03/21/cnc-routing-basics-toolpaths-and-feeds-n-speeds/
http://www.popularwoodworking.com/wp-content/uploads/2011/02/ICDTBookHiResJune10.pdf
http://www.cnccookbook.com/img/CNCCookbook/eBooks/CNCFeedsandSpeedsCookbook.pdf

Principal how2 for the Machine

At FabLab Kamp-Lintfort we have a CNC portal milling machine of e(sign: Easy Worker MasterPro 2513.
It’s working area is 2600 x 1400 x 300mm and it comes with a vacuum table. We primarily us it for wood milling but with its HSD Spindel (3.9KW; 24.000U/min) it is also capable to mill metals easily.

Following is a general description on how to operate the machine. Details about how I have made something big will follow later on.

Setup the Environment

Homing, then set X,Y and Z Zero Positions

SET X,Y TO 0,0:

SET Z TO 0:

From now on, always MOVE THE MACHINE TO THE MAXIMUM Z HEIGHT - THE ‘SECURE Z-POSITION’ (use keys: Shift + Page Up) after each tool path – and check again before every new tool path.

Prepare and measure your Material

Start the CAM-Process

Start Milling:

Important Tips & known problems

Best practices: Material & Settings:

Multiplex, 6mm end mill:
Speed (Geschwindigkeit): 2500
Eintauch Vorschub: 500
Spindeldrehzahl: 20000

MDF (small parts which might break), 6mm end mill:
Speed (Geschwindigkeit): up to 2000
Eintauch Vorschub: 500
Spindeldrehzahl: 20000

MDF (fast), 6mm end mill:
Speed (Geschwindigkeit): 3000-3500
Eintauch Vorschub: 500
Spindeldrehzahl: 24000

How to MAKE it

Following pictures show details about how to make a string bass (two of them). It was not supposed to be a working version but rather a knock-off for carnival and theatre (stage design). Thus, it has to look quite real but did not need to function. Thats also why I did not use the adequate material required for a functioning musical instrument.
However, I wanted to MAKE it by using the CNC router and in a advances way. I wanted to use bendable ply wood and wanted to create notches to the bass' body so that it precisely fits together.

I used Rhino to create the design. First, I searched for pictures of string basses in the web and used these fotos as the basis. I also looked up its dimensions to create it in proper scale. I then planned the design of it.
In my design the bass consists of:


I used the "BackgroundBitmap" to place a foto in the proper scale as blueprint for the design. Based on this I used the command "Curve point curve" to retrace the foto. I traced just half of it and used the "Mirror" command to create an exact copy if it. By using join I made it a closed curve.
I did the same procedure with the f-holes: retraced a picture; mirrored the curve and placed it at its final position.
Because I wanted to use bending ply wood for the side parts of the body, I decided to make a notch 3mm width and 6mm depths (whereas the top and bottom layer should be made of 12mm ply wood). Therefore I selected the curve and used the "Offset" command. You have to point through the center of the curce and enter 3mm.
To prepare the file for toolpathing you have to move each curve (or the set of curves with same tool path characteristics) onto a different layer.
After that I exported the file as .dxf wir R12 as parameter as this is the format readable by the machine.

I placed a proper sheet of wood onto the vacuum table and set up the machine as mentioned in the tutorial above. I checked each layers tool path to figure out if the machine can handle each.
You should always start milling from insinde to outside. So did I, and started with the f-holes. I used folltowing parameters for that:

After that, I did the notch:

Then, I did the outside cut:


While being facinated by the machine working I somehow realized that I made a mistake. I made f-holes in each layer but in the bottom layer, they are not needed. Even though, it sould not become a working instument I wanted it to be as real as possible. To not waste material and also to play with the machines setting I created two f-hole pieces and milled them. I used the same settings except for method, which I set to "Aussen CW". Becasue the design was the same as in the original file it turned out that the inserts did not fit. They needed to be a litle bit smaller. Because I don't wanted to change the file I changed the tool size to 5.5 mm (instead of 6mm). This caused the effect that the machine calculates a lower offset for the tool path and therewith makes the objects a little smaller.
By using white glue and a hammer, they perfectly fit in.

Next, I created a mold (inside cut of the outer curve of the bottom layer) out of 30mm thick press-wood, so that I could place the bottom layer into the mold. I taped the border to avoid glueing pieces together.
I cutted two pieces of bending ply wood and stuck them into the notch (with white glue inserted beforehand).

Now I had to make the arm. therefore I cutted 3 pieces (method: Aussen CW) to glue them together afterwards. They contain holes that I milled first (method: Innen CW) and two pieces contain a notch (left and right) that I engraved (using the engrave modus of the machine) wit a depth of 3 mm.

The arm was finished with sand paper and attached to the front of the body. I inserted a thicker lumb of wood at the lower end because later on, there needs to be a tail-piece added to it.
The top layer was added and the bass was painted with wood stain.

The two basses were attached to the float of "Young princess Hannah I. of Kamp-Lintfort".

Finally, the carnival parade with its floats and people in costumes took place on 13th of March 2016.

Maybe it was becasue of the string basses - maybe not. But the "something big" made it into the newspaper :)

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